從跨文化電影與多點文化流徙觀察的語境出發，提陳「離散語碼」、「媒體筆」等影像術語作為一種文化跨碼的新媒體電影書寫格式表徵。首先聚焦在數位多點、跨境跨介面跨文化影像中研究者要深描「如何呈現」視聽覺檔案的問題意識。接續討論論文電影與錄像論文、電影鋼筆到媒體筆的實踐發展路徑如何生成點狀書寫主體，進一步重估錄像論文中離散語碼如何將電影線性化裂解後再叢集為混合圖像、文本、多源錄像的纏結體。

From the observational context of intercultural cinema and multi-sited cultural migration, the presentation of image terms, such as “discrete coding” and “media stylo,” is a kind of cultural inter-coding representation of new media film writing formats. First, the focus is that a researcher has to do a thick description on the problematic of “how to present ” audiovisual archives in digital multi-sited, inter-border, cross-interfaced and intercultural images. This is followed by a discussion of how the practical and developmental path from essay film, video essays, and the camera stylo to the media stylo, generates a site-writing subject. Further, it reassesses how the discrete coding in video essays fractures the linearity of film and then clusters it into an entangled body of mixed images, texts, and multi-sources videos.