本計畫聚焦在過程電影及無機物在影像手工生產過程中與自然生態關係的高度意識，以及電影製作中的生態問題，包括氣候和廢水排放的自製淨化技術等，透過替代性攝影（alternative photographic）工法及可續性底片物質的影像生產，構造出人類意志（手工過程）、非人類行為者（自然物種）和賽璐珞模擬技術（膠片替代）的活動影像系統，進入關注無機物如何和有機物進行電影形式的合作，即電影並非僅為再現敘事場景的影像，而是作為人與環境「合作」的記錄過程。

計畫包括替代性攝影技術的實驗、與生態環境合作的電影實踐、建置永續暗房（Sustainable Darkroom）三個路徑，走向與非人類共存且更具潛在性、更具生態思考的影像實踐。

This project focuses on process film and the high awareness of the relationship between inorganic matter and natural ecology in the process of manual production of images, as well as ecological issues in film production, including homemade purification technology for climate and wastewater discharge. Through alternative photographic methods and sustainable negative material image production, it constructs a moving image system of human will (manual process), non-human actors (natural species) and celluloid analog technology (film replacement), and focuses on how inorganic matter and organic matter cooperate in film form, that is, film is not just an image that reproduces narrative scenes, but a recording process of “cooperation” between people and the environment.

The project includes three paths: experiments in alternative photographic technology, film practice in cooperation with the ecological environment, and the construction of a sustainable darkroom, towards an image practice that coexists with non-humans and has more potential and more ecological thinking.